KEY WEST BED & BREAKFAST, Key West Lodging and Accommodation Guide: Florida Traveling Guides: My Kind of Place: Unabridged Selections: Travel Stories from a Woman Who's Been Everywhere

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Editorial Reviews:

Product Description
Susan Orlean has been called “a national treasure” by The Washington Post and “a kind of latter-day Tocqueville” by The New York Times Book Review. In addition to having written classic articles for The New Yorker, she was played, with some creative liberties, by Meryl Streep in her Golden Globe Award—winning performance in the film Adaptation. Now, in My Kind of Place, the real Susan Orlean takes readers on a series of remarkable journeys in this uniquely witty, sophisticated, and far-flung travel audiobook. In this irresistible collection of adventures far and near, Orlean conducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois–and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality.
With Orlean as guide, lucky readers partake in all manner of armchair activity. They will climb Mt. Fuji and experience a hike most intrepid Japanese have never attempted; play ball with Cuba’s Little Leaguers, promising young athletes born in a country where baseball and politics are inextricably intertwined; trawl Icelandic waters with Keiko, everyone’s favorite whale as he tries to make it on his own; stay awhile in Midland, Texas, hometown of George W. Bush, a place where oil time is the only time that matters; explore the halls of a New York City school so troubled it’s known as “Horror High”; and stalk caged tigers in Jackson, New Jersey, a suburban town with one of the highest concentrations of tigers per square mile anywhere in the world.

Vivid, humorous, unconventional, and incomparably entertaining, Susan Orlean’s writings for The New Yorker have delighted readers for over a decade. My Kind of Place is an inimitable treat by one of America’s premier literary journalists.

Customer Reviews: Read 2 more reviews...

1 out of 5 stars

Not what I was expecting April 3, 2008
1 out of 2 found this review helpful

I normally love travel essays, but this one was unexpectedly boring. The cover made me think it was going to be thrilling and exciting, but it was just a bunch of articles the author had published elsewhere and lumped into this book.

I only got through the first two articles before putting the book down and never picking it up again. I've been looking for a great woman travel writer, but I'm sad to say I didn't find it in Susan Orlean. Perhaps if she'd started the book of with something more interesting to me I'd have been able to get into it more.

4 out of 5 stars

Don't judge a stiletto by its cover August 26, 2006
Don't let the cover of this book fool you. Susan Orlean does NOT travel to the many crevices of the earth in stiletto heels. At a wedding/skeet-shooting party in Scotland, she "was tripping around in rubber flip-flops." In Hungary, she walked around the Thermal Hotel Aqua in rubber thongs and "dangled from a sort of traction device at the deep end of the thermal pond."

In all honesty, despite the cover's subtitle--Travel Stories. . .--some essays are not necessarily tourism tales. One certainly could not plan an itinerary with this read. But don't let that taint the experience. As Orlean would say, the educational paths she leads us on are journeys in and of themselves. She delves into the world of the offbeat with class, going places I certainly would pass up in this lifetime. The Southern Charm Beauty Pageant, Thomas Kinkade's Signature Gallery mega-art reproduction enterprise, and the Midland, Texas Petroleum Club to name a few. She has done all of it with respect and gratitude. She even finds fascination within the SkyMall, that catalogue tucked away between the knees and the airline barfbag. You've got to appreciate this woman's stamina.

For those among us who are guilty of skipping The New Yorker articles and heading right for the cartoons, these essays will be fresh reads. Though not mentioned on the cover, 85% of the book's writings have appeared in that publication. But for the uninitiated among us, the reader will find a lot packed into this bundle. In fact, Random House could have taken these random essays, created a second book out of the last section and removed an awkward conflict of theme and genre in the process.

And though the book's title is on the weak side and less than memorable, the essays reflect an individual who is hardly forgettable. Her observation skills are entertaining. She includes background history and cultural notes--all appreciated. She carries on a satisfying combination of journalistic curiosity, objectivity and wit. So, don't judge this particular book by its cover. Susan Orlean has so much more to offer inside.

5 out of 5 stars

Great Essays! February 10, 2005
3 out of 3 found this review helpful

Susan Orlean is an outstanding author and reporter. I love her style of composing well-written, sometimes humorous, always perceptive accounts of offbeat subjects that most reporters would never think of covering. She bravely enters new worlds with a very objective mind and an exceptional pen. I highly recommend this book of short stories, as well as her other books. Don't forget to look in the New Yorker for her articles (like this week Feb. 14 & 21, 2005).

4 out of 5 stars

A good collection of vintage Orlean January 31, 2005
8 out of 9 found this review helpful

Susan Orlean's third collection of essays includes thirty pieces that were previously published, most of them in The New Yorker, between 1990 and 2003. Orlean explains that the essays she chose for the book are connected in that the sense of place in them is especially important: "When I wrote these pieces, the sense of where I was--of where the stories were unfolding--seemed to saturate every element of the experience, to inform it and shape it, and to be what made the story whole." In some cases the importance of location to an essay will be apparent to the reader, as for example Orlean's piece on the student president of Martin Luther King Jr. High School in Manhattan ("Madame President"). But in other cases the reasons for the author's inclusion of an essay are not apparent. Readers, at any rate, are unlikely to care whether the essays are connected to one another by a meaningful theme. Orlean divides her book into three sections: "Here" includes essays set in the United States; those set abroad--from Cuba to Hungary to Thailand--are included in "There"; and "Elsewhere" is a hodgepodge of mostly short (some as brief as two pages), mostly whimsical essays set in any number of places.

Orlean's modus operandi is to observe her subject for a length of time--spending a week or two, say, walking the aisles of an independently owned grocery store in Jackson Heights, New York, interviewing its managers and employees, watching the parade of hair-netted housewives and pierced teenagers and hand truck-pushing delivery men who flow in and out of the store ("All Mixed Up"). And then she writes about the experience in plain prose, and through the accumulation of ostensibly mundane details--sometimes, truth be told, a few too many mundane details--she brings her chosen slice of society alive for readers. Sometimes Orlean is introducing us to unfamiliar terrain, to the resting stations that punctuate a climb up Japan's Mt. Fuji, for example. But Orlean's essays are no less interesting--are indeed often more interesting--when she focuses on the familiar: among my favorite essays in this collection is "We Just Up and Left," the author's description of a trailer park in Portland, Oregon, the sort of place one can drive by for years without noticing.

Other noteworthy pieces in My Kind of Place are "Royalty," detailing the author's investigation into the curious abundance of royally-named papaya stores in Manhattan (Papaya King, Papaya Prince, Papaya Kingdom); "Art for Everybody," a look inside a Thomas Kinkade (the Painter of Light!) Signature Gallery; and "The Congo Sound," an essay about an African music store in Paris, France.

Fans of Orlean's will find more morsels to savor here. Readers who have not read Orlean previously can start here or might, better yet, read the work for which she is best known: her book The Orchid Thief is itself very much about a place--Florida--as well as the orchidophiles who populate it. Just don't expect the book to resemble its fanciful film adaptation, Adaptation, wherein Orlean, played by Meryl Streep, is depicted as a drug-addicted murderess.

Reviewed by Debra Hamel, author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece

4 out of 5 stars

Great except for the Midland TX hit piece December 15, 2004
7 out of 20 found this review helpful

I had heard an interview with the author of this book while listening to The Connection on NPR. I was immediately interested and curious and purchased the book the same day. Also piquing my curiousity was the chapter about Midland, Texas the town where "W" was from. What an interesting idea, a travel writer going to the hometown of the current president. Unfortunately, I was soon to find out very little except the following:

First of all, the story of Midland TX is sandwiched between coverage of a Taxidermy Convention and a story on Pageants in the style that JonBenet Ramsey would have attended. Or, basically, two freakshows.

Second, one of the only nice things she has to say is that this is where Jessica McClure was fished from a well.

Otherwise...
It is a hard dry place where you feel like you are being baked.
The people only know one joke and they tell it over and over.
They have no idea what antiques are since the town was put up in the twenties.
George W. Bush failed with Arbusto oil and everyone knows that he never earned a dime.
The downtown is deserted.
Everything is bleached and lifeless.
Midland is all about money.
The rich kids don't have to earn their grades.
the school only cares about how rich your parents are.
The rich kids are only into football and cheerleading and trashing cars.
There is a trendy church because the pastor is on TV.
The younger rich members of a local private club behave in a disgusting way.
The oil companies kill thousands of birds.
It is a manic depressive city.
There are very few Hispanics at the upper reaches of the oil industry. And, she met none in the elegant clubs the oil people attend.

I was amazed how in one sentence she can say "Midland is such a small city and the Bushes are so woven into it that most poeple seem to have come in contact with them", and then never is there any story at all about the Bushes that she cares to mention except for the aside about the failed business and that W never made any money.

Some of the people she does talk to in the book surprise me.
She talks to a disguntled teenager who is leaving town, an environmentalist, and an owner of a local cafe which is the local meeting place for "Midland's local hippies, poets, folksingers, and Democrats". Hmm, what do these people have in common? I'm sure none of them have an axe to grind.

I did however really like the non PARTISAN parts of her book. She writes oh so much better and with much greater clarity throughout the rest of the book. The story on the party line was fascinating. Her use of words put you in the place of the story like few authors I have read. The wildly different stories fit so well together because they are so well described. It is like HDTV for your mind.

This book was so different from most of the books I usually read. The storyies are so different from one another that I can see myself picking this book up again and again to read them...well...almost all of them.

I guess I was just surprised that a writer of this caliber would allow her objectivity to be colored by her point of view. I come from a town about the size of Midland that is also in the middle of nowhere (A cornfield) and I find it very easy to believe that there are many skeletons in my own city's collective closet. But I also know that there is no where on earth I would rather raise my son that right here because of the people who live and work and pray around me and with me. In a city this size, big faults are easy to see and the big fish that make them are easy to point out because there are fewer people and less crime to obscure them.